Novels:

THIS MUSIC, PLAIN BROWN WRAPPER, Yellow Springs, Ohio, serialized # 25 (June, 1994)- #31 (December 1996).

JANGLE AROUND, PLAIN BROWN WRAPPER, Yellow Springs, Ohio, serialized #44 (Spring, 1999) - #61 (Spring 2006).

Excerpts from Novels:

From BLIND LIGHT:

“Semele’s Curiosity”, S.H.Y., Hydra, Greece, Volume 4, #1, (Spring, 1977).

“Semele and Zeus”, BUFFALO SPREE, Buffalo, New York (Summer 1978).

“Semele and Mopsos” and “Lykurgoös in Kos”, THE ALCHEMIST, La Salle, Quebec, Canada, Volume 1 #5, (Spring 1980).

“Pentheus at Bay”, GLOBAL TAPESTRY, Blackburn, Lancaster, England #10, (January, 1981).

“Lovers and Names”, VAGABOND'S HOUSE, Corcoran, California, Vol. 1 #2 (July, 1993).

“Semele's Curiosity”, WONDERDISK, Louisville, Kentucky, Vol. 3 (September 1993). [Not the same excerpt published in S.H.Y. under the same name.]

“Pentheus’ Dream”, SPACE AND TIME, New York, NY, #89, (Spring 1999).

From HOMEMAKING AND WORKING:

“Sites”, THE FAULT, Hayward, California, #6 (April 1977).

“The Pagoda”, LACTUCA, Suffern, New York, #9 (February, 1988)

“Shells”, HAWAII REVIEW, Honolulu, Hawaii, #26 (October, 1989).

“Flight”, THE NEW ORPHIC REVIEW, Nelson, British Columbia, Canada, (Fall 2002).

From THE LOGIC OF FIRE:

“The Raider”, CONFRONTATION, Greenvale, NY, #52 -53, (February, 1994).

“The Autumn Man”, AFTERIMAGES, http://www.access.digex.net/~justgus/afterimages/, Vol. I # 2, Summer 1997. [No longer on line]

“The Butcher, the Gambler, and the Charcoal Burner”, WEBER STUDIES, Ogden, Utah, (Vol. 16, #3, Spring 1999).

“The Swan”, THE THREE-LOBED BURNING EYE, (Number 16, Winter 2006).

From THE CEO OF GOLD MOUNTAIN:

“Lucette and Hemadri”, PORTLAND REVIEW, Portland, Oregon, (Spring 2006).

“The Musicians”, PLAIN BROWN WRAPPER, Yellow Springs, Ohio, scheduled for #66 (June 2008).

Short Stories:

“Pasiphae’s Story”, APPROACH, Rosemont, Pennsylvania #50 (Winter 1964).

“The Cat with Yellow Eyes”, WYRD, Albany, California, #7 (Fall 1977).

“The Annals of Medical Detection II,---Twins”, BEYOND BAROQUE, Venice, California (Early Fall 1979).

“Water, Television, Ghosts”, PORTLAND REVIEW, Portland, Oregon, (Fall 1981).

“Aping Mothers”, (with 4 other authors) SIGN OF THE TIMES, Portland, Oregon, (June, 1984).

“Rose Ploughing”, CALIFORNIA CONFEDERATION OF THE ARTS NEWSLETTER, Los Angeles, CA (Spring/Summer 1984).

“Tense Recognition”, QUIXOTE, Houston, Texas, Vol. 12 #4 (October 1984).

“A Presentation to Gandhi”, SIGN OF THE TIMES, Portland, Oregon, Vol. 2 #2, (August 1985).

“Advanced Sellouts”, QUIXOTE, Houston, Texas, Vol. 13 #2 (August 1985).

“A Guide to Oblivion”, CHIRICU, Bloomington, Indiana, (February 1986).

“Mac & Alf”, ALDEBARAN, Bristol, Rhode Island, (Spring 1986).

“Shattered Alliances and the Politics of Reconciliation”, Mr. MAGNANIMOUS, Toronto, Ontario, Canada Vol. 1 # 1, (March 1989).

“Marlis Eats Dirt”, (with 4 other authors) CHIRICU, Bloomington, Indiana, Vol. 5, #2 (1988 issue, distributed December 1989).

“Two Lakes”, (with 4 other authors) ASYLUM ANNUAL, Santa Maria, California, (December 1992).

“The Girl Who Was Like a Golf Swing”, PENDRAGON, Valdosta, Georgia, Vol. XI (May 1993). This story won the PENDRAGON Editor's Choice Award for 1993.

“Payments”, FUEL, Chicago, Illinois, #6 (Spring 1994).

“The Second Foundation”, THE MACGUFFIN, Livonia, Michigan, Vol. X #ii (June 1994)

"Light" POTPOURRI, Prairie Village, Kansas, Vol. IX #3 (Fall 1997)

"Gallery Visit", RAMPIKE, Toronto, Ontario, #6 (Summer 2000)

“Repair”, (with two other authors) WAYSTATION, East Lansing, Michigan, #6 (March 2001).

“’No’”, KEN*AGAIN, (Vol. 5 #7, Fall 2004).

“Animal Shadows”, THE NEW ORPHIC REVIEW, Nelson, British Columbia, Canada (Vol. 9, #1, Spring 2006).

“Goldielocks and the Three Bears”, PLAIN BROWN WRAPPER, Yellow Springs, Ohio, #65 (Winter 2007-8).

Experimental Forms:

“Four Dreams”, in AMPHICHROIA, The Fault Press, Hayward, California, (Fall, 1978).

THE SYNTHESIS OF ALCUEN L. ADAMS, Numenon Foundation Chapbooks, Austin, Texas, (July, 1978).

“Cutup”, Sonarchy Archives, Originally record sometime in 1976 and broadcast over KTAO, Digital audio. [The Sonarchy archives are currently of-line for reconstruction, but plan to reopen.]

“Calm Writing”, WINDOW PANES, Rolla, Missouri, Vol. I #8 (July, 1995).

“Acknowledgment”, NEeuropa, Luxembourg, #86/89(March 1996).

“Defocusing Time”, THE WEAVER, London, #20, (February/March 1997. [No longer on line]

“The Scenes Speak for Themselves”, FLUENT ASCENSION, Glendale,

Arizona, ( Issue 03.2, May 2007)

Translation: (translations of Vandeloo with D. P. van Nouhuys)

Jos Vandeloo, “The Prologue to THE DANGER”, CENTER, Woodstock, New York #13 (Spring 1981).

Jos Vandeloo, “Excerpt from THE DANGER”, WRITING IN HOLLAND AND FLANDERS, Amsterdam #39 (June 1982).

Jos Vandeloo, THE DANGER AND THE ENEMY, Sachem Press, Old Chatham, New York, (September 1986).

George Buchner, “The Grandmother's Story”, from Woyzeck, MIND IN MOTION, Apple Valley, California, (Summer 1986).

Jos Vandeloo, “The Little Man from Poland”, TENTH DECADE, London. #12, (Spring 1990).

Verse:

“Liquefy My Name”, GLOBAL TAPESTRY, Blackburn, Lancaster, England #15, (1984).

“Dialect Differences”, ET CETERA, San Francisco, California (December 1986).

“Dialect Differences”, OAKLAND OUT LOUD, Jukebox Press, Oakland, California (May 2007).

[Untitled, “Sunshine Melts...”], THE ALCHEMIST, La Salle, Quebec, Canada, Volume 13, (Winter 1990).

“To My Daughter”, RIVERWIND, Nelsonville, Ohio, (October 1991).

“To My Daughter”, BUFFALO SPREE, Buffalo, New York (December 1991).

“Assuming the Lotus Position in the Macarthur Street BART Station”, SONOMA MANDALA, Rohnert Park, California Vol. 24, (October 1994).

“Three Meditations”, THE GLASS CHERRY, Ellison Bay, Wisconsin, # 2, (May 1995).

“Two Cultures”, TRANSNATIONAL PERSPECTIVES,  http://www.transnational-perspectives.org/  (January 2004).

"La Sonambula,"  "Passageways and Cul-de-Sacs,"   and  "On My True Love"  KEN*AGAIN, Fall 2008.

Photography:

Fig Bud, SONOMA MANDALA, Rohnert Park, California Vol. 16, (October 1989).

This is a Lemon, BALL MAGAZINE, Northampton, Massachusetts, (Fall 1993).

Our Clean Linen, THE GLASS CHERRY, Ellison Bay, Wisconsin, vol. 10, #2 (Summer 1997).

Japanese Tourists in a Gondola, THE GLASS CHERRY, Ellison Bay, Wisconsin, vol. 10 #3, (Fall 1997).

San Francisco Skyline in Fog, WAYSTATION, East Lansing, Michigan, #4 (February 1998).

Jon and Kenya Cut a Rug, AMERICAN WRITER, New York, NY, Vol. XVIII #3 (Summer 2000).

Corfu Olive Grove; Corfu Horses, TRAVEL WITH KIDS (Spring 2001) [No longer on line].

Images from New Orleans, PLAIN BROWN WRAPPER, Yellow Springs, Ohio, #62 (Summer 2006).

Three Views of a Rock in Shallow Water,  KEN*AGAIN, (Fall 2006)

The Albany Bulb, PLAIN BROWN WRAPPER, Yellow Springs, Ohio, #65 (Winter 2007-8).

The Sanville Institute Faculty (Fall 2007).

 

Revised 10/20/08